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History of the Königshain Hills

Carl Adolph von Schachmann

Anyone standing on the Hochstein today is standing in a landscape that was looked at very closely once before, some 250 years ago. Carl Adolph Gottlob von Schachmann (1725–1789), lord of the manor of Königshain, drew, examined and described these rocks – long before anyone used the word conservation. It is thanks to his eye that we know what the Kuckuckstein (Cuckoo Rock) looked like in 1780.

Painted portrait of Carl Adolph Gottlob von Schachmann: a man with white powdered hair, a dark coat and a white neckcloth against a dark background
Portrait of Carl Adolph Gottlob von Schachmann
1725–1789his lifetime
from 1752lord of the manor of Königshain
1780first account of the hills
2025300th birthday

Why this is here

Strictly speaking, this page does not belong to an inn. But the Hochsteinbaude stands on the rock that Schachmann drew, and most of our guests walk past three of his subjects without knowing it. A few paragraphs of background turn the way up into a different walk.

His life

A man of the Enlightenment in Upper Lusatia

Schachmann came from a family whose history reaches back to the days of the Hanseatic League. It came from Danzig and later put its money into Silesian estates. He was born in 1725 in Hermsdorf near Görlitz.

From 1743 to 1748 he studied in Leipzig and Halle: law, and alongside it philosophy and the arts. Then he spent two years on an educational tour through Germany, France and the Netherlands. Those who travelled in that way came home with questions.

In 1752 his father died and Schachmann took over the manor of Königshain. From then on his life is bound up with this village and these hills. In 1764 he joined the Moravian Church (Herrnhuter Brüdergemeine); in the same year the rebuilding of the manor house began, and between 1765 and 1770 he had a large landscape garden laid out around it.

In 1779 he was admitted to the Oberlausitzische Gesellschaft der Wissenschaften (Upper Lusatian Society of Sciences). In 1785 he withdrew to Herrnhut, where he died on 28 January 1789.

Coloured lithograph of Schloss Königshain: a pale two-storey Baroque building at the end of a garden, gate piers with stone vases to left and right, a carriage on the circular drive in front
The manor house, whose rebuilding began in 1764 – seen here in a nineteenth-century lithograph, with the garden in front. It still stands in the village today.
His work

The first account of these hills

In 1780 the book appeared that makes Schachmann indispensable to our district: “Beobachtungen über das Gebirge bey Koenigshain in der Oberlausitz” (Observations on the hills near Königshain in Upper Lusatia). It sets side by side what hardly anyone at the time thought of together – the nature of the granite, the shape of the individual rocks, the finds in the ground and the stories told about them in the village.

At the Totenstein (Rock of the Dead) he found hundreds of pottery sherds and objects of bronze. He read the site not as a burial ground but as a place where people gathered to celebrate at certain times of the year. In 1844, 64 years after his account, King Frederick William IV placed the group of rocks under protection as a “Denkmal der Vorzeit” (monument of ancient times) – one of the oldest natural monuments in Germany.

He described the Kuckuckstein as a precisely aligned block. That the midday sun appears in its opening around the winter solstice was not measured until 2007, by Hilmar Hensel and Ralf Herold. But Schachmann’s engraving of 1780 already shows the rock in exactly the form in which it stands today.

Graniterock and weathering described
Sherdsfinds at the Totenstein recorded
1844Totenstein placed under protection
His sheets

What he saw, you can see for yourself

Schachmann drew with his own hand – pen drawings, etchings, hand-coloured sheets. This is not art for its own sake: the sheets record what a rock looks like, from which side and in what light. Take them with you on your walk and compare.

Engraving of the Hochstein with the handwritten caption “Der Hohe stein bei Koenigshain”: layered granite rock, a small open pavilion on the topmost block, steps cut into the rock on the right, a figure high up on the rock on the left
Der Hohe Stein bei Koenigshain (The High Rock near Königshain)On the summit stands a small open pavilion; a flight of steps leads up on the right, and high on the rock to the left stands a figure. So the Hochstein was a viewpoint long before the present tower.
Hand-coloured engraving with the caption “Die S.W. Seite des Hohsteins”: grey granite blocks with steps, on the left a garden house with a round-arched doorway and a carriage, up on the rock three people behind a parapet
Die S.W. Seite des Hohsteins (The south-west side of the Hochstein)Hand-coloured sheet, dated Jan. 1788 at lower right. On the left a garden house with a round arch, a carriage and horses in front of it; up on the rock a parapet with three visitors, one of them looking through a telescope.
Engraving with the caption “Der Kuckuck Stein”: a mushroom-shaped granite block in the woods, a horizontal slab on a narrow base; on the left a walker sits in front of it with his dog
Der Kuckuckstein (The Cuckoo Rock)The same rock that you will find today around 400 metres north of the inn. Compare the shape: in almost 250 years nothing about it has changed that the eye could see.
Engraving with the caption “Der Todten-Stein”: a tall, layered group of rocks among spruces, in the foreground a walker with a dog on the woodland path
Der Todten-Stein (The Rock of the Dead)The group of rocks where Schachmann found the sherds and the bronzes. From here several circular walks lead across to the Hochstein.
Etching of the Todtenstein: a group of granite rocks in several tiers among tall spruces, two small figures on the summit, in the foreground a huntsman with a dog and a seated draughtsman
Der Todtenstein, the large sheetThe same group of rocks on a larger, more richly worked sheet. Two figures stand on the summit, a huntsman passes below with his dog – and beside them, on a stone, sits a draughtsman with his board on his knees. That is how these sheets were made.
The collector

Coins, antiquities and a sphinx with the family arms

Schachmann collected, and he did so methodically: his coin catalogue appeared in 1774. To this he added Egyptian antiquities – a rarity in eighteenth-century Upper Lusatia. That made the manor house a place people came to in order to look and to ask.

Egypt turns up again in his drawings: the temple of Luxor, and a sphinx. On this sheet she holds the family coat of arms – a chessboard on the shield, in keeping with the name. At lower left is his signature: “Schachman delin.”, drawn by Schachmann himself.

Pen drawing: a reclining sphinx wearing a headcloth holds an oval shield with a chessboard pattern and a crown; on the ground in front lie a drawing board, pencils and a palette; on the left the signature “Schachman delin.”
Coat of arms with sphinx – a chessboard on the shield, drawing implements in front. At lower left, his own signature.
In his footsteps

Three of his subjects are within walking distance

The Hochstein, Kuckuckstein and Totenstein lie close together and can be linked in a single walk. The Kuckuckstein stands around 400 metres north of the inn, and several circular walks lead over from the Totenstein. You will find the manor house down in the village, at the foot of the hill.

More about Schachmann

The website for his 300th birthday

For his 300th birthday in 2025 a website of its own was created: von-schachmann.de. There you will find his biography, drawings and researches in detail – and a good deal that is not to be had here: the Kuckuckstein as a walk-in observatory with the course of day and night, the Opfertisch (Sacrificial Table) as a model at a scale of one to one, the Schachmannsäule (Schachmann Column) reconstructed as it was before it fell into decay. Everything runs in the browser; nothing needs to be installed.

  • Biography and timeline
  • Drawings and prints
  • Research on the Totenstein and Kuckuckstein
  • XR: observatory, Opfertisch, Schachmannsäule
  • Walking map of the subjects

Stop for a meal where he drew

After the round by way of the Kuckuckstein and Totenstein, the inn stands on the same rock as in 1780. The kitchen cooks everything fresh, and the tower is free.

See the menu

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